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булып яшэY нэтиж;эсе. Беек шэхесебез Ризаэтдин Фэхретдин эйткэнчэ, hэрбер кеше Y3 кулыннан килгэн кадэр эш эшлэргэ, байлык вэ hенэр hэм дэ сэнгать елкэлэрендэ миллэтнец кYтэрелYенэ ярдэм кылырга тиешле. Шушы изге, ж;аваплы эштэ барыбызга да зирэк акыл, тирэн белем, рухи hэм физик сэламэтлек телим.
EAST AND WEST: POLITICAL WITHSTANDING THROUGH THE
ROCK MUSIC
(ВОСТОК И ЗАПАД: ПОЛИТИЧЕСКОЕ ПРОТИВОСТОЯНИЕ ПОСРЕДСТВОМ РОК МУЗЫКИ)
Bukreev I. 20-01 group (Murzina G.A.)
The beginning of a rock music is occurrence of a genre of the rock-and-roll which has incorporated features of a blues, a rhythm-and-blues, boogi-voogi, a jazz and country. Significant influence on a rock-and-roll rendered blues executors Robert Jonson, Lidbclli, Maddi Waters. The name "rock-and-roll" occurs from songs hospel - executors of 40th years and, being as a matter of fact an appeal to dance. Hospel -the genre of spiritual christian music developed in first third XX centuries in USA. Usually distinguish negro hospel and white hospel. That is common, as that and another were born in environment of churches of the American South. For the first time expression has appeared in a song "Good Rocking Tonight" Brown's Plenty 1947. In 1949 the song " Rock And Roll" Bill Mur's leaves.
Development of an early rock-and-roll is connected basically to the American executors. however to establish, what song or a plate can be considered as the first in a genre, it is practically impossible. Among possible variants - a single " Fat Man " by Fast Dominoe, left in 1950 year. According to other versions, the first rock-and-roll record is "Rocket 88", written clown in 1951 by Jackie Brenston and his Delta Cats. Among those who has put in pawn bases of a rock-and-roll as a high-grade genre, the major executors are Fast Dominoe, Bo Diddly and Chack Berry. Chack Berry seriously started to be engaged in music in 1953, and in 1955 has already written down the first single. Chack Berry has begun fate - style in texts of songs, image, game on a guitar. Among others influential Afro-Americans in a genre of a rock-and-roll it is necessary to allocate musicians of Little Richard which has affected the subsequent formation of fate as his manner of singing and game on the piano was considerably more aggressive and energetic, than at competitors. The fate is, on the one hand, a megaphone of youth, musical Embodiment of its heart-breaking inconsistent moods, the conflict to the standard norms On the other hand, fate - one of tools of the show business, directed on commercial profit in show business. This double nature also causes contradictions in development of a genre. As a matter of fact, all history of fate consists of similar cycles, in the beginning of each of which -revolt, the protest, birth of new styles and new values, occurrence of groups and executors - founders of style (1955, 1967, 1977), and then - gradual process of commercializing, at times - simplifications, occurrence of secondary rock groups.
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